Learning Portuguese through the Art of Film
Abstract
Although the elements of film narrative (e.g., sound, color, lighting, camera angles, mise-en-scène) can create meaning and provoke responses from the viewer, in Portuguese as a foreign language classes such cinematographic aspects of films are rarely emphasized. The use of films as works of art, however, can be a powerful tool to engage students in a dialogical construction of knowledge. The goal of this article is to investigate the power of films as works of art studied from a more dialogical perspective in Portuguese as a foreign language classes. In this article, I discuss the main cinematographic features, their implications for film narrative, and give suggestions on how to conduct a Portuguese as a foreign language class from a more ecological perspective of learning through the use of films as an art form. Data collected from the students’ learning Portuguese that shows the positive impact of this type of approach to teaching is also presented.
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The Portuguese Language Journal is an open-access journal under the Creative Commons CC BY NC 4.0 License. Users are permitted to read, download, copy, distribute, print, search, or link to its articles' full texts and use them for any other lawful purpose. All the articles published in this journal are free to access immediately from the publication date.